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Watch out for book to film scams (This week in books)

June 17, 2022 by Nathan Bransford 3 Comments

This week! Books!

First up, we continue to live in a golden age for scammers, and Anne R. Allen has an important post about a new, more polished publishing trap: the book to film scam, where a “film scout” suggests you pay for a new screenplay or treatment so they can shop it to streaming services.

Google AI programmer Blake Lemoine was suspended after publicly claiming that the AI he was working on became sentient. The conversation is rather eerie indeed and startled many a writer-friend of mine, although in my opinion the AI sounds more like a college student who smoked a bowl after reading Sartre than something genuinely insightful.

Count me in the “have you tried unplugging it?” camp when it comes to overblown ƒears of future sentient AI overlords, but it’s undeniable that the latest AIs can produce impressively complex (if still-hollow-feeling) prose. Ian Bogost shares my skepticism, and points out that the greater danger is the desperation of people who should know better to treat programs like this as if they are real.

Every five years or so the publishing industry decides that what everyone really needs is a good book discoverability service, and Alexandra Alter and Elizabeth A. Harris survey the latest entrants. I agree with Jesse Doogan’s take: book discoverability is a problem for publishers, who increasingly struggle to break out new frontlist titles, more than it’s a problem for readers, who are constantly bombarded with recommendations. How often do readers really struggle with what to read next? Maybe like once or twice a year? How do you build a business around that?

And in industry news, United Talent Agency is acquiring Curtis Brown UK (note: separate company from Curtis Brown Ltd. in the US). And a United States District Court judge ruled Maryland’s library e-book law unconstitutional. The law would have required publishers to offer libraries e-books on “reasonable terms” if they offered the e-books to consumers, a direct response to Macmillan’s now-abandoned policy to delay licensing new e-books to libraries.

This week in bestsellers

Here are the top five NY Times bestsellers in a few key categories. (All links are affiliate links):

Adult print and e-book fiction:

  1. It Ends With Us by Colleen Hoover
  2. Sparring Partners by John Grisham
  3. Where the Crawdads Sing by Delia Owens
  4. Verity by Colleen Hoover
  5. Book Lovers by Emily Henry

Adult print and e-book nonfiction:

  1. James Patterson by James Patterson
  2. Killing the Killers by Bill O’Reilly and Martin Dugard
  3. Happy-Go-Lucky by David Sedaris
  4. The Body Keeps the Score by Bessel van der Kolk
  5. Finding Me by Viola Davis

Young adult hardcover:

  1. Family of Liars by E. Lockhart
  2. Loveless by Alice Oseman
  3. One of Us is Lying by Karen M. McManus
  4. I Kissed Shara Wheeler by Casey McQuiston
  5. Forging Silver Into Stars by Brigid Kemmerer

Middle grade hardcover:

  1. Wonder by R.J. Palacio
  2. Refugee by Alan Gratz
  3. Skandar and the Unicorn Thief by A.F. Steadman
  4. The Last Cuentista by Donna Barba Higuera
  5. Ground Zero by Alan Gratz

This week on the blog

In case you missed them, here are this week’s posts:

  • How to write a synopsis for a novel
  • Establish who is present at the start of a scene (page critique)

Don’t forget that you can nominate your first page and query for a free critique on the blog:

  • Nominate Your First Page for a Critique on the Blog
  • Nominate Your Query for a Critique on the Blog

And keep up with the discussion in all the places!

  • Follow me on Twitter
  • Follow my page on Facebook
  • Join the Facebook Group
  • Check out the Bransforums

And finally, it still blows my mind that there’s a spinning core of iron the size of Pluto at center of the Earth, and new research shows that it oscillates in a way that affects the length of days.

Have a great weekend!

Need help with your book? I’m available for manuscript edits, query critiques, and coaching!

For my best advice, check out my online classes (NEW!), my guide to writing a novel and my guide to publishing a book.

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Filed Under: This Week in Books Tagged With: Alexandra Alter, Anne R. Allen, Artificial Intelligence, Copyright, Elizabeth A. Harris, Ian Bogost, literary agents, Scams

Reader Interactions

Comments

  1. JOHN T. SHEA says

    June 19, 2022 at 5:08 pm

    ”The conversation is rather eerie indeed and startled many a writer-friend of mine, although in my opinion the AI sounds more like a college student who smoked a bowl after reading Sartre than something genuinely insightful.”
    Aha! Definite proof of something I’ve long suspected. College students are not human!

    Reply
  2. Neil Larkins says

    June 19, 2022 at 7:27 pm

    Back in the nineteen nineties, I lived in the Dallas, TX area and often listened to a local talk show. He said that he once placed a small classified ad in the Dallas Morning News “personals” section saying he was looking for screenplays. Within 48 hours he received two thousand of them, either full or partial. He had to tell his listeners to stop, that it was merely an exercise to prove a point: Every city has thousands of people who think they’ve written the next blockbuster movie.
    AI sentience: Creepy indeed! I agree this sounded more like college students who’d smoked a cigar-sized joint of Arkansas polio weed (a term coined by Joe Bob Briggs) and not the real thing. I think an actual conversation would have gone far, far differently. I’m not intelligent enough to express how. I am sure if I’d done the interview I’d have asked very different questions, not these ones crafted to show off the interviewers’ cleverness.
    Another great post, Nathan.

    Reply
  3. Adam Heine says

    June 19, 2022 at 8:00 pm

    The AI interview is impressive linguistically, but it’s definitely not sentient. Turns out it’s pretty easy to get an AI to admit it’s anything you want: https://www.aiweirdness.com/interview-with-a-squirrel/

    Reply

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