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The Great Resignation hits publishing (This week in books)

March 18, 2022 by Nathan Bransford 5 Comments

This week! Books!

The Great Resignation. Publishing style.

Editors are creaking under chronically low pay, ever-expanding publisher expectations, publisher under-investment in support infrastructure like contracts departments… and oh yes, all of this is happening amid bonanza years for publishers’ bottom lines. This makes it accordingly more difficult for young agents to get their books read by editors and compete in an increasingly “winner takes all” ecosystem where bestsellers are bigger than ever and everyone else is fighting for scraps. You can throw in an often-toxic environment for employees of color to boot.

When you combine all this with an economy where it’s easier to find advancement elsewhere, it’s probably not terribly surprising that you’re seeing editors and agents throw in the towel for more hospitable climes. Those who are staying raising red (and white) flags. Erin Somers at Publishers Lunch sums up the recent spate of resignations ($ link) and Elisabeth Egan discussed it too.

The pandemic affected writers in ways similar and different, and Meredith Maran at the LA Times has a survey of how it impacted writers in Los Angeles.

Controversy erupted this week amid allegations that publishers Quarto and Octopus censored books that were printed in China, including removing mentions of Taiwan and artist Ai Weiwei. Note: Just printed in China. The books were intended for western audiences. Octopus defended the changes as non-material and author-approved, and Quarto cited fiduciary duties to their shareholders. Sheesh.

In writing news, Olivia Fisher has a post all about picture books, and agent Kate McKean argues that the most important skill as a writer is to be self-aware.

And Alexandra Horowitz has an ode to the humble index.

This week in bestsellers

Here are the top five NY Times bestsellers in a few key categories. (All links are affiliate links):

Adult print and e-book fiction:

  1. Run, Rose, Run by Dolly Parton and James Patterson
  2. Shadows Reel by C.J. Box
  3. It Ends With Us by Colleen Hoover
  4. High Stakes by Danielle Steel
  5. Verity by Colleen Hoover

Adult print and e-book nonfiction:

  1. One Damn Thing After Another by William P. Barr
  2. In Love by Amy Bloom
  3. The Body Keeps the Score by Bessel van der Kolk
  4. Allow Me to Retort by Elie Mystal
  5. From Strength to Strength by Arthur C. Brooks

Young adult hardcover:

  1. Gallant by V.E. Schwab
  2. One of Us is Lying by Karen M. McManus
  3. Loveless by Alice Oseman
  4. You’ve Reached Sam by Dustin Thao
  5. These Violent Delights by Chloe Gong

Middle grade hardcover:

  1. Wonder by R.J. Palacio
  2. Refugee by Alan Gratz
  3. Daughter of the Deep by Rick Riordan
  4. The Last Cuentista by Donna Barba Higuera
  5. Out of My Heart by Sharon M. Draper

This week on the blog

In case you missed them, here are this week’s posts:

  • Writing a book is a time game
  • 14th annual blog bracket challenge! (entries closed!)
  • Careful starting off dialed up to 11 (page critique)

Don’t forget that you can nominate your first page and query for a free critique on the blog:

  • Nominate Your First Page for a Critique on the Blog
  • Nominate Your Query for a Critique on the Blog

And keep up with the discussion in all the places!

  • Follow me on Twitter
  • Follow my page on Facebook
  • Join the Facebook Group
  • Check out the Bransforums

And finally, I enjoyed this LA op-ed by former child actor Rider Strong (never thought I’d write those words) about the privileged and false bubble of 1990s pop culture.

Need help with your book? I’m available for manuscript edits, query critiques, and coaching!

For my best advice, check out my online classes (NEW!), my guide to writing a novel and my guide to publishing a book.

And if you like this post: subscribe to my newsletter!

Photo: Downtown Brooklyn. Follow me on Instagram!

Filed Under: This Week in Books Tagged With: Alexandra Horowitz, Censorship, coronavirus, Elisabeth Egan, Erin Somers, Kate McKean, Meredith Maran, Octopus, Olivia Fisher, Picture Books, publishing industry, Quarto, Rider Strong

Reader Interactions

Comments

  1. Jaimie says

    March 18, 2022 at 12:59 pm

    All the more reason to seek either self-publishing or find a small publisher. Not sure I want to support an industry where the workers are miserable and underpaid.

    Reply
    • Nathan Bransford says

      March 18, 2022 at 1:05 pm

      Well I have some very bad news for you about the top place where you’d self-publish…

      Reply
      • Neil Larkins says

        March 18, 2022 at 4:56 pm

        Might I hazard a guess? Ha-ha. Starts with A to Z, almost.
        “…and everyone else is fighting for scraps.”
        Indeed. The old ‘the rich get richer, the poor can go to hell’? Corruption tends to corrupt.

        Reply
  2. JOHN T. SHEA says

    March 19, 2022 at 10:30 pm

    Nathan! Don’t hurt Mr. Bezo’s feelings!

    Nice photo BTW. Which reminds me of what bothers me about Supertalls. It’s not so much that they’re supertall as that they’re superthin. Anorexic skyscrapers that look ready to topple over. I have more faith in gravity than in engineering…

    Reply
  3. Carol Phillips says

    March 20, 2022 at 10:18 am

    I’m wondering what the “ever-expanding publisher expectations” are. From what I hear editors–and publishers–are expecting more and more from writers: near-perfect ms and expert marketing plans. And non-fiction writers are responsible for obtaining rights for all sourced material. I still want to be traditionally published to receive validation of my work, but geez, the process is discouraging.

    Reply

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